Perfect Song for New Baby Boy a Son

2003 Unmarried Past Beyoncé

2003 single by Beyoncé featuring Sean Paul

"Baby Boy"
A African-American woman is standing with her arms open, meanwhile smiling and looking back. She wears a short light-blue shirt, a blue skirt and a rosary on her neck, the words Beyonce and Baby Boy in the centre.
Single by Beyoncé featuring Sean Paul
from the album Dangerously in Beloved and Dutty Rock
B-side "Summertime" (remix)
Released August 3, 2003 (2003-08-03)
Recorded February 2003[1]
Studio
  • The Hitting Factory (New York City)
  • South Embankment (Miami, Florida)[2]
Genre
  • Dancehall
  • R&B
Length four:04
Label
  • Columbia
  • Music World
Songwriter(s)
  • Beyoncé Knowles
  • Scott Storch
  • Robert Waller
  • Sean Paul Henriques
  • Shawn Carter
Producer(s)
  • Scott Storch
  • Beyoncé
Beyoncé singles chronology
"Fighting Temptation"
(2003)
"Baby Boy"
(2003)
"Me, Myself and I"
(2003)
Sean Paul singles chronology
"Like Glue"
(2003)
"Baby Boy"
(2003)
"I'm Yet in Love with You"
(2004)
Music video
"Baby Boy" on YouTube

"Baby Boy" is a song recorded by American vocalist Beyoncé featuring Jamaican dancehall singer and rapper Sean Paul from Beyoncé's debut solo studio album Dangerously in Honey (2003). Both artists co-wrote the song with Scott Storch, Robert Waller and Shawn "Jay-Z" Carter; the quondam also co-produced the song. Containing a lyrical interpolation of "No Fear" by hip hop grouping O.G.C, "Infant Male child" is an R&B and dancehall song with Caribbean and Asian influences; its lyrics item a woman's fantasies.

Columbia Records and Music Globe Amusement released "Baby Boy" as the 2nd single from Dangerously in Love on August 3, 2003. "Baby Boy" topped the US Billboard Hot 100 for nine consecutive weeks and was Beyoncé's longest-running number-one single until 2007, when it was surpassed by "Irreplaceable". Information technology reached the top ten in many countries and was certified platinum past the Australian Recording Manufacture Association (ARIA) and the Recording Manufacture Association of America (RIAA). It also reached the height 10 in Australia, Belgium, Denmark, France, Germany, Ireland, kingdom of the netherlands, New Zealand, Norway, Scotland, Spain, Sweden, Switzerland, and the United kingdom of great britain and northern ireland.

The song's music video was directed by Jake Nava and mostly shows Beyoncé dancing in various locations. "Baby Boy" has remained a staple of Beyoncé's concert fix lists. The American Order of Composers, Authors, and Publishers (ASCAP) recognized it every bit one of the nigh performed songs of 2004. In 2005, American singer-songwriter Jennifer Armour filed a copyright infringement lawsuit claiming that the song had used the primary musical claw from her song "Got a Niggling Bit of Love for You". The suit was later dismissed.

Background and development [edit]

Sean Paul (pictured) contributed vocals to "Baby Boy".

In 2002, Beyoncé went to Miami, Florida, in the The states, to work with American record producer Scott Storch for her debut solo studio album Dangerously in Love.[2] She and Storch wrote "Infant Male child", with contributions from American songwriter Robert Waller and Beyoncé's now-husband, hip hop creative person Jay-Z.[2] The song also contains a lyrical interpolation of "No Fear" by hip hop group O.G.C. used towards the ending of the song: "Nosotros steppin' in hotter this year".[3]

Once the rails was supposedly done, Beyoncé had the idea that it would be "perfect" if Jamaican reggae artist Sean Paul contributed a song track.[3] Beyoncé contacted Paul about a possible collaboration for "Infant Boy".[4] [5] Sean Paul agreed, and flew in from Jamaica to bring together the recording sessions of the song.[3] He contributed a toast verse, and they finished recording "Baby Boy" in March 2003, during the later stages of the album's recording.[4]

Music and lyrics [edit]

"Babe Boy" is a midtempo contemporary R&B and dancehall vocal[6] [seven] [viii] with reggae, firm and S Asian influences.[9] [10] [eleven] It was composed using mutual time in the key of C small,[12] and prepare in moderate groove of 92 beats per minute.[vii] Storch's knowledge on Indian contributes to its Asian influences.[xiii] Neil Drumming of Entertainment Weekly noted that "'Infant Male child' goes full-tilt Bollywood 'n da hood, with Sean Paul ripping a pulsing tabla raga".[14] Beyoncé's vocals are accompanied past clicky and castanet-sounding beats,[xv] synthesized handclaps and slaps.[sixteen] According to gossip blogger Roger Friedman of Fox News Channel, "Baby Boy" is based on the reggae song "Here Comes the Hotstepper" (1995), performed past Jamaican singer Ini Kamoze.[17]

"Baby Boy" is considered to exist a sequel to Jay-Z's vocal "'03 Bonnie & Clyde" (2002) featuring Beyoncé.[4] The lyrics detail a woman'southward fantasies, and in keeping with the album's overall theme, Beyoncé's deemed them as personal to her.[five] Paul remarked: "She's telling me almost her fantasies and picturing me and her going here and there, all over the earth ... I'm answering dorsum, like, 'I'yard wit information technology'."[4] The lyrics are constructed in the toast–chorus–poesy form; Sean Paul performs the toasting while Beyoncé sings all other verses and choruses. The pattern is repeated twice; a further chorus and verse follow, resolving at the toasting and terminal verse.[iii]

Release [edit]

Two men and a woman are looking forward. Both men are wearing military-style clothing, while the woman is holding a microphone. She wears gipsy-style clothing. In the background, many musical instruments are visible.

"Baby Male child" was released every bit the second single from Beyoncé'due south debut studio anthology, Dangerously in Love (2003). It was serviced to gimmicky striking and rhythmic contemporary radio in the Usa on August 3, 2003.[18] [xix] It was released as a CD single and 12-inch single in the United kingdom of great britain and northern ireland on October 6, 2003. The song was released for maxi single in Canada the following day,[20] and in Germany on October xiii.[21] It was released in the The states as a 12-inch and CD unmarried on October 14 and 28, 2003, respectively.[22] "Baby Boy" was included in the revamped edition of Sean Paul's second studio album Dutty Rock (2003).[23]

Controversy [edit]

In 2005, American vocaliser-songwriter Jennifer Armour filed a copyright infringement lawsuit, claiming that Beyoncé had used some lyrics and the musical hook from her song "Got a Little Bit of Love for Yous".[24] [25] [26] In 2003, Armour's former label manager had submitted demo recordings to record labels, including Beyoncé's Columbia Records and Sean Paul'south Atlantic Records.[27] [28] According to the district courtroom, an good witness (Chair, Department of Music Theory & Limerick, Shepherd School of Music, Rice University) adamant the songs to be "essentially similar" (a requirement for an infringement finding). Concerning the musical claw, the expert witness stated in his report: "When the aural comparisons of the two songs are presented in the key of C modest (for piece of cake comparison) and presented back-to-dorsum, in A–B–A–B fashion, even the to the lowest degree musically inclined listener should immediately make up one's mind that the ii songs are strikingly similar; I daresay that many listeners may even perceive them every bit being the same vocal! And again, transposing a song for this purpose does non alter any fundamental qualities or characteristics of the song only merely assists the ability of those unfamiliar with the technicalities of music in making a comparing." The commune courtroom judge nonetheless ruled that she, herself, couldn't hear the similarities between the 2 songs and dismissed the case, denying the motility for the songs or instance to exist heard past a jury.[26] On appeal, the U.s. Court of Appeals for the Fifth Circuit affirmed the district court's ruling only ruled with dissimilar reasoning. It held that there was no infringement based on Beyoncé's merits that Armour's demo tape was received soon later on the writing of Beyoncé's song had been substantially completed. Still, the court did not address the issue of substantial similarity.[28] [29]

Critical reception [edit]

Rolling Stone magazine reviewer Anthony DeCurtis wrote that Beyoncé sounded as if she was "having fun" on the song,[30] while Stephen Thomas Erlewine of the online music guide service AllMusic described Beyoncé's vocals equally "bodacious and sexy".[31] Mark Anthony Neal of the international webzine PopMatters, regarded "Baby Boy" equally one of the "high-profile collaborations" on Dangerously in Honey.[32] Lisa Verrico of the daily British newspaper The Times described the song a "Latino-tinged collaboration ... Paul does a reggae rap in the middle, but information technology'southward when he chats while Beyoncé half raps that the pair have real chemistry".[15] Yancey Strickler of the Flak magazine wrote that "'Baby Boy''south diwali stutter is enhanced by Sean Paul's dancehall monotone".[33]

James Anthony of the British newspaper The Guardian commented that the rail "bridges the gap between the genres of R&B and dancehall".[34] Los Angeles Times writer Natalie Nichols wrote that "the ... house-spiced 'Babe Boy' successfully meld[s] [Beyoncé's] breathy cooing with hip, interesting production."[viii]

Accolades [edit]

British record label EMI was honored by the American Guild of Composers, Authors and Publishers (ASCAP) at the 2005 ASCAP Pop Music Awards equally Publisher of the Year for publishing "Baby Boy", among other songs.[35] Scott Storch earned Songwriter of the Year award at the same consequence.[35]

Commercial performance [edit]

"Infant Boy" attained a positioning on the commercial charts before its physical release in the U.s.. The rails led to a higher Billboard 200 chart placing for Dangerously in Love, and helped the album to attain multi-platinum certification in the Us.[36] The single debuted on the Billboard Hot 100, at number fifty-7, while its predecessor "Crazy in Beloved" was still on the top spot.[37] "Infant Boy" dominated on the radio in the Us, ultimately reaching the tiptop of the Billboard Hot 100.[38] [39] [40] It reached the chart'southward summit spot eight weeks after its debut, and stayed there for nine sequent weeks.[xl] [41] The single stayed number one for a week longer than "Crazy in Love" had, becoming Beyoncé'southward longest-charting number-one single at the time. The feat was not broken until her single "Irreplaceable" (2006), from her second album B'Day (2006), spent x weeks at the top spot from late 2006 until early 2007.[42] The song became Sean Paul's offset number-one single in the United States. "Baby Boy" stayed on the Hot 100 for xx-ix weeks,[43] and was certified platinum past the Recording Industry Clan of America (RIAA) on June 6, 2006.[44] "Babe Male child" achieved success on Billboard crossover and mainstream radio charts, appearing on the Pinnacle 40 Tracks, Rhythmic and Mainstream Top 40, as well as peaking atop the Radio Songs and Trip the light fantastic/Mix Show Airplay, and at number two on Dance Order Songs.[45] [46] [47] [39] As of Oct 6, 2010, "Baby Boy" had sold 6,000 physical units in the The states.[48]

Internationally, "Baby Boy" performed but as well, peaking within the peak ten on all of the charts it appeared on, excluding the Ö3 Republic of austria Top 40, Ultratop fifty Wallonia and Italian Singles Chart, on which it reached the top twenty. The single debuted at number ii in the United kingdom, becoming the nautical chart'southward highest debut of the week and "Baby Male child"'s highest entry internationally.[49] Even though it spent seventeen weeks on the nautical chart, it failed to reach the peak, being held off by "Where Is the Love?" by The Black Eyed Peas.[49] In Australia and New Zealand, "Baby Male child" peaked at numbers iii and ii, respectively.[fifty] [51] Information technology was certified platinum past the Australian Recording Industry Clan (ARIA) for shipments in excess of 70,000 units.[52]

Music video [edit]

The music video for "Infant Boy" was filmed by English language director Jake Nava, who too shot Beyoncé's "Crazy in Love" video. Information technology was recorded in Miami, Florida on August 7–eight, 2003. Parts of the video were captured in a house with different way rooms: one in a Japanese style and 1 in an old English style.[53]

Scenes featuring Beyoncé and Paul are shown separately. The video begins with Paul sitting on a throne while toasting; Beyoncé is leaning against a wall and dancing. In the post-obit scene, Beyoncé is seen on a bed. Paul is shown with several women who are lying on the flooring caressing each other. Beyoncé walks towards the beach; she spots a human being, and the 2 affect and flirt. Equally the second verse the begins, Beyoncé is at a party. At the party, Beyoncé decides to dance with the aforementioned man that she interacted with earlier. Then, water floods the flooring of the party every bit she sings "the trip the light fantastic toe floor becomes the sea". Every bit the second chorus of the song begins, the video is cut with scenes of Beyoncé and four backup dancers dancing on a platform in the sand on the beach. The original track is interrupted towards the end with an Standard arabic instrumental, designed for the music video. This section showcases Beyoncé vigorously dancing on the sand.

Sal Cinquemani of the online publication Camber Magazine, described the video equally a "baby-oil-logged follow-upwards" to "Crazy in Love"'s "bootylicous video".[54] In 2013, John Boone and Jennifer Cady of Due east! Online placed the video at number 9 on their list of Beyoncé'due south ten best music videos, praising the extended belly-dancing breakdown.[55] "Baby Boy" premiered on MTV's programme Full Asking Alive on August 25, 2003, at number 10 and reached the top spot.[56] [57] It stayed on the show for forty-one days, the same chart run "Me, Myself and I" earned.[56]

Live performances [edit]

An image showing five women wearing black outfits in front of a screen

Beyoncé first performed "Baby Male child" live at the 2003 MTV Video Music Awards;[58] she sang it in a medley with the pre-recorded vocals of Paul.[59] Beyoncé later sang "Baby Boy" with Paul at the 2003 MTV Europe Music Awards.[60] "Baby Boy" has been included on the fix list for most of Beyoncé's concert tours. Information technology served as the opening song of her Dangerously in Love Tour (2003). During her performance of the vocal on the bout, she was initially suspended from the ceiling of the loonshit that was gradually lowered to a red lounger—a prop she also used during the 2003 MTV Video Music Awards.[61] The footage taken at Wembley Loonshit in London, England was included on Beyoncé'south first live anthology Live at Wembley (2004). Beyoncé besides performed "Babe Boy" with her onetime group Destiny's Kid during their final tour Destiny Fulfilled... and Lovin' It (2005), and it was included on their 2nd live album Destiny'due south Kid: Alive in Atlanta (2006).[62]

"Infant Boy" was a role of Beyoncé'southward set list on The Beyoncé Experience (2007) in Los Angeles, California, and on I Am... Globe Tour (2009–10).[63] On Baronial 5, 2007, Beyoncé performed the song at the Madison Square Garden in Manhattan, New York City;[64] [65] wearing a abdomen-dancer-blazon outfit, she descended the staircase belongings an umbrella and was met by three men wearing fatigues.[65] A short section of Chaka Demus & Pliers' song "Murder She Wrote" (1993) was incorporated into "Baby Boy".[65] Jon Pareles of The New York Times praised the performance, writing that Beyoncé "needs no distractions from her singing, which tin can be blusterous or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas. Just she was in abiding move, strutting in costumes".[64] She performed in a similar organization at the Los Angeles' Staples Middle on September 2, 2007. She was dressed in a belly dancing outfit, and the performance was executed with several male person backup dancers and live instrumentation.[66] Beyoncé re-produced the trip the light fantastic she executed in the song'due south music video.[62] When Beyoncé performed "Baby Boy" in Sunrise, Florida on June 29, 2009, she was wearing a glittery gold leotard. When her performance began, she was suspended in the air, and so lowered to the B-phase to where she sang "Babe Boy" with an excerpt from Dawn Penn's "You Don't Love Me (No, No, No)". Animated graphics of turntables, faders and other club equipment were projected behind the dancers and musicians.[67] Beyoncé was accompanied by her backing band Suga Mama, which consisted of two drummers, two keyboardists, a percussionist, a horn section, three imposing fill-in vocalists and the lead guitarist Bibi McGill.[68] "Baby Boy" was included on her live album The Beyoncé Experience Alive (2007),[69] and the deluxe edition of I Am... Earth Tour (2010).[70] At the 2005 ASCAP Pop Music Awards, "Baby Boy", along with Beyoncé'south ii other singles from Dangerously in Honey – "Me, Myself and I" and "Naughty Girl" – was recognized as 1 of the virtually performed songs of 2004.[71]

"Baby Male child" was performed past Beyoncé in a pink fringe dress at a concert at Palais Nikaïa in Overnice, France, on June 20, 2011,[72] and at the Glastonbury Festival on June 26, 2011, where she brought out British trip hop singer Tricky to guest on the vocal.[73] Between May 25–28, 2012, Beyoncé performed the song during her Revel Presents: Beyoncé Alive revue at Revel Atlantic City, New Jersey.[74] [75] Jim Farber of the Daily News wrote: "The get-go, and terminal parts of the show stressed the steeliest Beyoncé, told in bold songs... [similar] dancehall-inflected 'Baby Boy.'"[76] On February 3, 2013, Beyoncé performed the song during the Super Bowl XLVII halftime prove.[77] In 2013, Beyoncé performed "Infant Boy" as a medley with "Get Me Bodied" during her The Mrs. Carter Show World Bout (2013–14), while the songs were performed separately in 2014. The song was also performed during The Germination World Tour (2016).

Runway listings and formats [edit]

"Baby Boy" – 12-inch single [fifty]
No. Title Length
1. "Baby Boy" (Album version) (featuring Sean Paul) 4:04
2. "Baby Boy" (Inferior Vasquez Club Anthem Remix) (featuring Sean Paul) eight:50
three. "Baby Boy" (Maurice's Nu Soul Mix) (featuring Sean Paul) vi:fourteen
four. "Infant Boy" (Maurice's Nu Dub Babe!) (featuring Sean Paul) six:30
Total length: 25:38
"Babe Male child" – Digital EP
No. Title Length
1. "Baby Male child" (featuring Sean Paul) 4:06
2. "Babe Boy" (Instrumental) 4:04
3. "Summertime" (Remix) (featuring Ghostface Killah) 4:05
Total length: 12:15
"Babe Boy" – German CD unmarried [21]
No. Title Length
1. "Baby Boy" (Album version) (featuring Sean Paul) iv:04
2. "Babe Boy" (Junior's Padapella) (featuring Sean Paul) iii:58
Total length: viii:02
"Baby Boy" – European maxi single [78]
No. Title Length
1. "Baby Male child" (Anthology version) (featuring Sean Paul) four:04
2. "Infant Boy" (Maurice'south Nu Soul Mix) (featuring Sean Paul) eight:50
3. "Baby Boy" (Junior's Padapella) (featuring Sean Paul) iii:58
4. "Krazy in Luv" (Adam 12 So Crazy Remix) (featuring Jay-Z) four:30
Full length: xviii:06

Charts [edit]

Certifications [edit]

Release history [edit]

References [edit]

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External links [edit]

  • Official music video on YouTube

glasgowrondid.blogspot.com

Source: https://en.wikipedia.org/wiki/Baby_Boy_(Beyonc%C3%A9_song)

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